- obviously a classic, but which edition is the best buy?Fitzgerald's tale is obviously a classic, but which edition is the best buy? There are so (or is "too"...) many available. Personally, I like this editon The Beautiful and Damned (yes, you need to click the link to see which one it is as Amazon combines many reviews together), especially because of the captivating cover shot. A great value IMHO.
Evaluación:
- Hidden Treasure in the Shadow of Gatsby. . .The American reading public seems to reduce `classic authors' to one-hit wonders: The Stranger, Catcher in the Rye, Vanity Fair, Frankenstein, Catch-22, Oedipus the King, etc. One great work seems to exhaust us and we move on. The only real exceptions are situations in which the author has two great works of moral equivalency: Animal Farm and Nineteen Eighty-four, Crime and Punishment and The Brothers Karamazov, The Adventures of Tom Sawyer and The Adventures of Huckleberry Finn, The Iliad and The Odyssey.
A victim of the one-book limit on our memories is The Beautiful and Damned. No, it's not as good as The Great Gatsby. But then again -- to paraphrase Joseph Heller -- neither is any other American novel. If it weren't for Jay Gatsby, however, this other work by F. Scott Fitzgerald would likely get suggested more often as `the Great American Novel'.
I was blown away by it. The novel is divided into roughly three parts, following the third decade of life of a useless Harvard alum living in New York City named Anthony Comstock Patch. The first period is youthful exuberance. It reads like it was written by a kid who woke up one day being after being anointed the Chosen One by the gods of literature. It's got this `Wow, I can write beautiful prose about anything!' euphoria to it. The prose dazzles and sparkles as it careens from one pointless bit to another as it lampoons the East Coast elite. It shifts tenses for no reason, abruptly goes into the format of a play for couple of pages at a stretch and generally dances its way through the nonadventures of several extremely wealthy young men. The words on the page are relentless brilliant. Even getting up to leave is memorable: `Anthony arose and punched himself into his overcoat. . .'
This first section is hilarious. Typically, when I discover something from before WWII that was meant to be humorous, I cringe to myself because it's so not funny. The opening of this book, after a slightly dry description of Anthony Patch's familial background, satirizes the wealthy, their pretensions, their sense of entitlement, their superiority, with unerring accuracy. It's laugh-out-loud funny but never mean-spirited.
I hate spoilers. Suffice to say that the second and third sections get uglier as relationships get more serious. What we forgive in the young we find more disappointing in people as they age. (A Peter Pan with a puffy-eyed hangover at thirty is not a pretty sight.) The prose loses little momentum as the story flirts with disaster.
In addition to the writing itself, what really struck me was how Fitzgerald could create a sense of empathy for such appalling characters. If Anthony Patch was a real person, he'd be the poster boy for Marxism. Yet Fitzgerald can get us to care about him and his ilk, people who are in truth little more than lazy, absentmindedly racist, decidedly misogynistic alcoholic snobs. (Indeed, this novel could be read as the parable about the consequences of misogyny on men.) If someone told me that it would be possible to write a novel in which you feel for a character who jokes about kicking a kitten -- we're left hoping it was a joke -- I would have said it was impossible, but there you have it.
The novel also makes the time period covered, from shortly before WWI to the Roaring Twenties, come vividly alive. Anthony Patch becomes the embodiment of America, starting in innocence, becoming disillusioned with war and ending in the boozy disillusionment of Prohibition. (And no, that's not really a spoiler.) It's not simply Anthony: the novel is animated by consumer products of the period, suggests a critique of suburbia forty years head of its time and is filled with fascination with those new technologies, the car and the feature-length film.
In short, The Beautiful and Damned probably offers more per page than just about any other novel you might read. Except The Great Gatsby.
This review is based on an out of print hardback from the library, not this particular edition.
Evaluación:
- Great Book for any Fitzgerald Fan!Great book for any Fitzgerald fan! This was my guide to living life in my twenties, lol! I've heard it called a hard book to read, and I can see that. But there is great satisfaction upon finishing the book. I guarantee it!
Evaluación:
- A must-read--before it's made into a movieNearly ninety years after its first publication, _The Beautiful and Damned_ is still a shockingly relevant account of the entitlement class, the children of the rich or privileged who don't know how to navigate through life without big money. And, it's a New York City novel--written as only a mid-westerner can. It seems to me that because New Yorkers are too much in the middle of it to see themselves clearly, an intelligent "outsider" like F. Scott Fitzgerald must come along. To write as well as he did, Fitzgerald let the city inhabit him. New York got into his blood, and he recorded it in narrative right down to the dirt under the carpet. Fitzgerald's details lead the reader into the depths of the beautiful and doomed couple, the Gloria-Anthony entanglement, as they are part and parcel of the extremes of poverty and wealth (in the World War I era or the roaring 20s).
I don't know how Fitzgerald knew what he knew about the human psyche, or specifically about how a young man might react when he is good-looking and swimming in money and New York, but Fitz's life at Princeton University among this set of people gave him the environment in which to observe; Fitzgerald supplied the story around which the narrative coheres. Of course, there are autobiographical elements to this novel--a lot of himself and Zelda--but what the literary art requires is critical distance. To put his main characters through some shameful scenes, Fitzgerald had to know what tough love is in the New York City context. He had to put his couple to the test, people who from birth had relied on the "religion" of charm and money. And the author had more than just critical distance: F. Scott had them down right! Every expression, every word. Gloria: "This is life! Who cares for the morrow." And you can see Anthony deciding to have one more drink, his speech becoming slurred, his manners maudlin. While Anthony and Gloria wait for his inheritance, we find out what they're made of.
Most pleasurable about Fitzgerald's craft is his carefully-controlled technique of letting Anthony and Gloria visit hell (the "damned" in the title) while softening the harsh surgery-like light with well-timed, well-handled, lyrical sentences. In a single beautiful line, the passage of the winter sun describes both Fitzgerald's craft and his beautiful couple's descent: Gloria "lay still for a moment in the great bed watching the February sun suffer one last attenuated refinement in its passage through the leaded panes into the room" (p.173). Fitzgerald knew how to show the attenuated and refined way downhill.
One more thing about the craft of writing: Only the omniscient narrator technique--which Fitzgerald employs--can show characters in shameful acts and show what they're thinking, and the circumstances in which they got there, and how they "need" money in order to "survive." I wonder if now, in nearly 2010, this novel is not more important than in 1922. More than ever, _The Beautiful and Damned_ is a national portrait. (I can see how "spending" money could be the "sex" in the novel.)
Advice: Read this novel while in New York, if possible. The first time I read _The Beautiful and Damned_, I was living near 123rd (me, a Westerner!). I looked up every address in the novel (except for the gray house near Cos Cob, Conn.) and got to know New York through this novel. In fact, I could almost pick out their final apartment in Harlem near 127th.
Evaluación:
- the title says it allThe Beautiful and Damned is Fitzgerald's second novel and the title says it all.Anthony Patch and Gloria Gilbert are two self asorbed people who desire romantic love and they fall in love with each other. They have no desire for productive work and they desire lives of luxury. They receive allowances from their parents and Anthonys grandfather gives a little as well but Anthony has no desire to wotk and Gloria is obsessed with being an actress which irritates Anthony. Both are alcoholics which adds fuel to their self destructive situation. In the end ,Anthony becomes wealthy winning 30 million dollars by challenging hsi grandfathers will he is stricken from it despite being the only direct descendant but the money makes neither he or his wife happy. Their narcissism combines to damn them to misery despite their exterior beauty of which their wealth is a large part of.At times the book rambles into clever phrases that have no point and it is too loose at times but it is still a book worth reading though not quite as good as This Side of Paradise